PAST

 



Where The Awning Flaps
at Éric Hussenot, Paris
6.11.15 – 7.20.15

PRESS:
CONTEMPORARY ART DAILY

Galerie Éric Hussenot in paris. A summer show landscapes mostly and environments that are hostile, environmental in the sense of a bedroom and slipknot t-shirts. I can barely sit through a half hour tv show I don’t know anyone who could stand a whole movie. It is my guess that some of the works in this show want to rub on each other, shed their spores and once inoculated leave their frames permanently. And the others are holes, points of negativity and crudely scrawled in “Artist’s Shit.” All of my recent thoughts were repulsively over embellished to the point of vertigo.

Drinking wine I’m having a cigarette and we’re talking my plate lightly warmed langoustines in their broth drips of butter and crème de violette with ice going down nicely checking the phone incessantly meant to focus on the ass instead returned to Facebook by muscular default. Luckily there are moments of delight, textures that the perceptual apparatus has not yet completely subordinated and I’m ordering a nice big plate of pasta with a big red sauce. Summer at the house in X after the show we will finally be able to unload the twelve backpacks filled with bricks of heroin we shipped with FedEx.

DARJA BAJAGIĆ
OLGA BALEMA
MATTHEW BARNEY
LUIS MIGUEL BENDAÑA
BODY BY BODY
NATE BOYCE
SASCHA BRAUNIG
SAM LIPP with DIAMOND STINGILY
LUCAS MICHAEL
DAVID RAPPENEAU
MINDY ROSE SCHWARTZ
CHLOE SEIBERT

Organized by Franklin Melendez and Queer Thoughts.

 

Where The Awning Flaps

 

 

Where The Awning Flaps

 

 

Where The Awning Flaps

 

 

Where The Awning Flaps

 

 

Where The Awning Flaps

 

 

Where The Awning Flaps

 

 

Where The Awning Flaps

 

 

Mindy Rose Schwartz

Mindy Rose Schwartz, Pushing Up the Daisies (2006). Mixed media.

 

Mindy Rose Schwartz

 

 

Mindy Rose Schwartz

 

 

Matthew Barney

Matthew Barney, Drawing Restraint 7 (Guillotine) (1993), C-prints and resin (set of seven).

 

 

Matthew Barney

 

 

Matthew Barney

 

 

Matthew Barney

 

 

Matthew Barney

 

 

Matthew Barney

 

 

Matthew Barney

 

 

Matthew Barney

 

 

Luis Miguel Bendaña

Luis Miguel Bendaña, The Gloom of All The World (2015). Acrylic, liquid latex on silk organza.

 

Luis Miguel Bendaña

 

 

David Rappeneau

David Rappeneau, Untitled (2013). Ballpoint pen, acrylic on paper.

 

David Rappeneau

David Rappeneau, Untitled (2013). Ballpoint pen, acrylic on paper

 

David Rappeneau

David Rappeneau, Untitled (2013). Ballpoint pen, acrylic on paper

 

Luis Miguel Bendaña

Luis Miguel Bendaña, Blush On A Man (2015). Custom machine knit polyester, polyurethane, pen on paper, Xerox on paper.

 

Luis Miguel Bendaña

 

 

Luis Miguel Bendaña

 

 

Olga Balema

Olga Balema, Untitled (2013). Foam, latex, pigment, steel.

 

Olga Balema

 

 

Body by Body

Body by Body

 

Body by Body

Body by Body

 

Sam Lipp

Sam Lipp in collaboration with Diamond Antoinette Stingily, Pure (2015). Tape on xerox. Film stills from video by Diamond Antoinette Stingily.

 

Sam Lipp

Sam Lipp in collaboration with Diamond Antoinette Stingily, Pure (2015). Tape on xerox. Film stills from video by Diamond Antoinette Stingily.

 

Sam Lipp

Sam Lipp in collaboration with Diamond Antoinette Stingily, Pure (2015). Tape on xerox. Film stills from video by Diamond Antoinette Stingily.

 

Chloe Seibert

Chloe Seibert, Concrete Expression no. 23 (2015). Concrete.

 

Nate Boyce

Nate Boyce, Relief Cage (2014). Powdercoated steel, epoxy clay, polyurethane, acrylic.

 

Nate Boyce

 

 

Darja Bajagić

Darja Bajagić, Reaming (2015). Acrylic-latex, canvas, cement, graphite, UV print.

 

Darja Bajagić

 

 

Darja Bajagić

 

 

Lucas Michael, El Maragato Barometrica (2010). Video.

 

Body by Body

Body by Body, The Boss #5 (2014). Lambda print on dibond, plexiglass.

 

Body by Body

Body by Body

 

Sascha Braunig

Sascha Braunig, Grisette (2013 – 2014). Oil on canvas on panel.

 

 

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